1696-1770 Italian painter, master of Venetian school. Tiepolo was famous in his own lifetime as a superb painter in fresco and a brilliant draftsman. A highly inventive artist, he could create spectacular effects in difficult sites, from the narrow gallery at the patriarchal palace at Udine in the mid-1720s to the vast staircase ceiling in the Residenz at Werzburg in the early 1750s. Contemporaries recognized his spirited, dynamic approach to subject matter and his frankly sensuous manner of painting. Tiepolo is comparable in his restless energy and imaginative power to Peter Paul Rubens, and essentially he worked with a similar baroque language of myth, allegory, and history, which he infused with a sense of freshness and modernity. His approach to religious art is characterized by candor and naturalism, while he was responsive to the different concerns of patrons and viewers at a time when the church was faced with new kinds of devotion and criticism. With the advent of neoclassicism, Tiepolo's art fell from favor: In an age that prized archaeological correctness, rationality, and ideals of improvement, his witty, Veronese-inspired conception of historical or classical subjects seemed frivolous, while his visually seductive qualities were seen as inimical to the serious intellectual aims of the new art. Nevertheless, his drawings and oil sketches continued to appeal to collectors, including Antonio Canova. The son of a Venetian shipping merchant, Tiepolo was apprenticed in 1710 to Gregorio Lazzarini (1655C1730), an artist of international reputation patronized by prominent Venetian families. Before becoming an independent master, he worked in the household of Doge Giovanni Corner; members of the Corner family were to be his most steadfast and liberal patrons. Lazzarini encouraged his pupils to study Venetian sixteenth-century art, and Tiepolo made drawings of some famous works for publication in Domenico Lovisa's Gran Teatro di Venezia of 1717. His early involvement with the thriving Venetian engraving and publishing world was renewed in 1724 when he made drawings of antique sculpture as illustrations for Scipione Maffei's Verona Illustrata, an experience that gave Tiepolo an imaginative empathy with fragmentary antique remains, which recur in his drawings, etchings, and paintings. As well as studying the art of the past, Tiepolo looked to the tenebrism of Federico Bencovich (1677C1753) and the realism and monumentality of Giovanni Battista Piazzetta (1682C1754). In 1719 Tiepolo married Cecilia Guardi, with whom he was to have nine children. By then, the artist was working for a network of mercantile and noble patrons on religious and secular subjects.  Related Paintings of Giambattista Tiepolo :. | Detail of the martyrdom of Saint John of Bergamo | Allegory of the Planets and Continents | Recreation by our Gallery | Pulcinella in Love | Recreation by our Gallery |
Related Artists:
Tobias Stimmer
(7 April 1539 - 4 January 1584) was a Swiss painter and illustrator. His most famous work is the paintings on the Strasbourg astronomical clock. He died in Strasbourg. He was born in Schaffhausen, and was active in Schaffhausen, Strasbourg and Baden-Baden as a wall and portrait painter. He made a great number of drawings for woodcuts (Bible scenes, allegories, etc.) which were published by the printer Sigmund Feyerabend in Frankfurt am Main, and Bernhart Jobin in Strasbourg. Stimmer followed Hans Holbein the Younger, but developed his own mannerism. Among his wall paintings remain the "House zum Ritter" in Schaffhausen, although this was actually much restored and changed.
Louis Caravaque
Louis Caravaque, a French portrait painter, was a native of Gascony. He went to Russia, and in 1716 painted at Astrakhan the portrait of Peter the Great, which has been engraved by Massard and by Langlois. He again painted the Czar in 1723, and subsequently the Empresses Anne and Elizabeth. He died in Russia in 1752.
Paul Emmert
Paul Emmert (1826-1867) , who is also known as Paul Emert, was an artist born near Berne, Switzerland in 1826. By 1845, he had become an established artist in New York. He joined the gold rush to California in 1849. The following year he exhibited in Brooklyn a panorama of the gold mining activities before making his second trip to California late in 1850. While in California, he operated the Bear Hotel in Sacramento and exhibited the panorama in San Francisco and other communities. In 1853 he moved to Hawaii where he resided until his death in 1867 in Honolulu.